Derren Brown’s Apocalypse (Revealed)

Lately stuff  has been piling up to the extent that I was going to do a bullet point list (a long one) of how we are plummeting toward full-blown madness, for all sorts of reasons. But then a few nights ago I came across a Youtube vid that I’d seen a couple or so years back but hardly remembered. It was a Derren Brown (famous Brit magician/mentalist) two-parter called ‘Derren Brown’s Apocalypse’. Here’s the Wiki description:

“Derren Brown: Apocalypse” is a two-part special that aired on Friday 26 October 2012 and concluded on Friday 2 November 2012.^[23] It centred around one man named Steven, who had been described as suffering from a “lazy sense of entitlement”. In a trailer for the show, he said he was “lazy” and “irresponsible”, while his mother said that sometimes she felt like he did not love her any more.

The show was an opportunity to give Steven a second chance at life and making him realise how important his life really is. The setup was that a huge meteorite hitting Earth had caused the end of the world. Steven supposedly woke up two weeks after the disaster in an abandoned military hospital to find that he is one of a group of survivors now living in a zombie wasteland. He made his way through a carefully planned storyline.

Much of the first episode concerned the process by which Steven was persuaded that the world was going to end. It attracted an estimated 2.3 million viewers, some of the highest Channel 4 had had over the preceding two years.^[24]

This show was said to have taken months of planning including hacking Steven’s phone, controlling his news feeds and Twitter, recording special versions of TV and o  shows, and using over 200 actors. [end of Wiki quote]

So I watch the show, right? Well, it leaves me speechless. Not so much the show itself — although there was that, too, as you will see — but the fact that I hardly remembered seeing it, rather than being blown away by it… this shocked me to the core. How could I have watched this and not known what was going on? Was this part of Derren Brown’s NLP technique? To keep me, or people like me, at bay? (As you’ll see, it probably was.)

See, the thing is a total and obvious fraud, and given the the PTB mind control implications of the fucking thing, plus the absolute spectacle of it — hundreds of actors and extras, special effects galore, the huge amount of money spent, and the obvious governmental cooperation — I should have been jumping up and down to write about it here. But I didn’t, apparently. Or did I and forgot? Did Derren Brown zap me through the tube and tell me to leave him alone or that I should blank the show from my memory? What the fuck is going on here?

According to Youtube, the show first appeared on the Derren Brown channel eight years ago after having premiered on the BBC in 2012. Then a couple years ago, Youtube re-posts it with fanfare. Two years ago. Mmmm. We’ll get back to the timing of the re-post, but keep in mind that the premise involves a deadly virus from space. I guess we are supposed to assume it just happened to coincide with the ‘COVID outbreak.’

I’ve always been suspicious of Deren Brown’s antics, although I don’t doubt the principles behind his NLP stuff — i.e., getting folks to believe one area of bullshit while apparently talking about another and so forth — is at least basically true. In fact, if you doubt this, I suggest you do some outside research. With Derren, NLP truth is a matter of convenience and degree, I think.

A reminder: The supposed premise of this show is to make an average person  — although chosen for his negative personality traits such as selfishness and lack of sympathy for others — believe that the world has ended via a meteor strike; key is that the ‘meteor’ brings with it a ‘virus’ that precipitates a full-blown zombie apocalypse, right out of the TV show ‘The Walking Dead’ or the movie ‘World War Z.’  But the movie that comes most strongly to mind is ‘The Truman Show’, with Derren Brown playing the Ed Harris ‘God’ character, sitting in the control booth adroitly putting Steven (his creation) through all sorts of hell on earth and smiling benignly while telling us how Steven is going to be changed for the better. He doesn’t actually say ‘That which doesn’t kill you, makes you stronger,’ but it’s there in subtext. 

Speaking of subtext, here is a quote from Derren Brown’s narration that instantly popped out as a PTB (power-that-be) ‘wink’, i.e., letting each other know that they are watching a psy op and how clever they all are and so forth. Here it is, Derren’s blurt: ‘What Steven is lacking is courage, a brain, and a heart.’ 

Sound familiar? It’s odd phraseology, isn’t it? Plus it was said twice, once near the beginning of the show and again near the end. So we know these specific words are somehow important.

Got it? Sure you do. Sing it out: ‘We’re off to the Wizard, the wonderful Wizard of Oz! We hear he is a wonderful Wiz if ever a Wiz there was!’

The Cowardly Lion needed courage, the Scarecrow needed a brain, and the Tin Man needed a heart. Derren slips this in, saying nothing about the obvious allusion to a cultural icon, which itself tells us a lot about what’s really going on with this show. Think about how odd this phraseology is! He’s actually saying (twice) that Steven does not have a brain or a heart! 

As those of us who have done our research know, The Wizard of Oz, the movie, the songs,  idea of it, are all used in mind control ops like MkUltra  or, in Britain, at Tavistock. Tavistock. You know, where ‘Miles Mathis’ does his slime work.

 

I‘d bet a valued possession that Derren Brown is a major Tavistock asset. But more about this to come. Back to the show, the mechanics of it, so we know for sure it’s a psy op. And I do know it’s a psy op, not because of the hypnosis crapola, which is what usually comes up on those rare occasions when folks doubt Derren Brown’s veracity, and I’m quite sure this is not an accident: while we’re arguing over the efficacy of hypnosis, the real giveaways slide by unnoticed. Misdirection. Most of the tells I uncovered will be in the embedded screen grabs so please study them carefully.

Addendum: Unfortunately, I believe hypnosis is as powerful a tool as Brown shows us in the show wherein he gets a regular guy (picked for his susceptibility to hypnosis) to ‘assassinate’ Stephen Fry in exactly the manner Sirhan Sirhan claims was done to him to make him participate in the RFK assassination In fact, IMO that show (it’s on Youtube) is Brown’s version of Miles Mathis’s exposé on the Manson murders, i.e., ‘a truth dangle’ to make us trust the guy when he later slings some really stinky bullshit. Like in ‘Apocalypse.

‘Hidden cameras’ follow this sap (Steven Brosnan is his name) as he goes through the transition from normal, everyday life to being the ‘hero’ of his own lunatic, off-to-see-the-Wizard, post-apocalyptic  adventure. Speaking of Oz, his ‘hero’s journey’ (as Joseph Campbell would say) is to protect and then save the 14 year-old girl he meets when he ‘wakes up’ at an abandoned military base. (I’d bet Derren argued they should refer to her as ‘Dorothy,’ just for some added grins, but cooler heads prevailed.)

According to Derren, the point of it all is to get Steven to come around to appreciating his sorry ass life, caring for others, having a healthy sense of self, blah blah (plus a brain and a heart). The scare quotes around ‘hidden cameras’  mean that they aren’t hidden at all; this is what gives the game away, at least to someone capable of some critical thinking. For example, neither of the rectangles in 1a or 1b are one-way mirrors, so the camera-persons would be visible to anyone in the room. This should be enough for you, although there is plenty more. (Keep in mind I only need to be right about one thing.) 

If you haven’t seen the show, or have but, like me, didn’t ‘get it’ first time around (by god I do bet they laid in NLP telling us not to doubt the truth of the show!), now may be the time to give it a look, or at least parts of it, so you can see what I’m talking about. Click here to go to the thing. If you’re just going to give it a glance, I suggest you scroll about 3/4 into it. Near the end they (the filmmakers) give up on any worries that they are telegraphing their deceit with their camera work and the story’s absurd turns. (This show is also a perfect example of the contempt they have for our intellects.)

If the show was legit, the cameras (with a few exceptions) would be miniature, wide angle models like GoPros, and which are either very well hidden or — as in the case of the ‘military base’ — obvious and not hidden at all, like the many CCTV cameras Britain is lousy with and everyone is used to. In the beginning, when they are bugging Steven’s house, we get a glimpse of the hidden sort of camera, stashed in a knick-knack; all the exterior cameras are regular, ‘manned’ TV cameras. 

I’ll point out some red flags, but the real giveaway is that at least 90% of the footage is hand-held, with zooms and shaky pans aplenty — which means it’s a person filming — and even when the shot is more or less stationary we can tell it’s hand held by the subtle movement. This is a stylistic choice, to give the show a ‘documentary’ feel, but what it of course also tells us is that there is a real live camera-person behind the lens. We already know they rarely bother with one-way mirrors, so where are all these folks hiding?

In most of the shots I’m screen grabbing there is nowhere to hide the person operating the cameras. We realize this when they do a reverse angle and we look where the camera had to have been and there is nothing there (usually). More about this in a bit; meanwhile, study the screen grabs.

If you go about 54 minutes in, there’s a scene wherein Steven and ‘Ian’ (an actor) dash through the herd of zombies (courage!) to a radio shack to call for help. The ‘hidden’ camera at first shows Ian at the door and Steven (his head) at the bottom of the frame (2b). Then the cameraperson pans right to reveal a guy hiding in the corner, where he is plainly visible (2b below). The camera pan is a giveaway on its own but neither Steven nor Ian sees the hiding guy! It’s totally ridiculous. Then the new guy (Danny) starts a ruckus for no reason at all and the scene develops, with Ian accusing Danny of being ‘infected’, which would mean… Danny is a zombie.

Meanwhile, the Wiz… I mean Christof… I mean Derren… from the control room tells us he wants to see if Steven will have pity on Danny and let him join their group, or selfishly go along with Ian and assume Danny is a zombie and abandon him. When Steven says, ‘We can’t just leave him here,’ they cut to Derren smiling in satisfaction, presumably at Steven’s new-found charity towards other humans. Many commenters mention this scene as especially moving, i.e., a real tear-jerker. Knowing what’s really going on, it’s enough to make you nauseous. 

But the important thing, for our purposes, is the camera work. You can clearly tell that the scene is not filmed via hidden cameras at all. When they cut to a reverse angle it should show a big one-way mirror for the camera-person to hide behind. Again, there isn’t. (There are shaky zooms and pans galore in this ‘dramatic’ scene, and at least four angles, each needing a camera-person.) 

Addendum: If you’re wondering how anyone in their right mind could buy this bullshit, you ain’t seen nothin’ yet (plus you may be overestimating yourself). I’ve so far read about 200 comments and so far, not one comment calls them out on fraud. We’ll see how long my comment survives deletion. Here it is:

But the point here is, if Steven had said, ‘Fuck this guy, he might be a zombie!’ then poof! the show, the millions spent on it, and so forth, goes into the crapper. There are at least a dozen moments like this, i.e., ‘show killers’ hinging on Steven’s change from ‘someone who always fails’ (his words, see below) to a cross between Mother Teresa and Indie Jones.

On another level it gets better, if you hang in, because they soon cut to some ‘Audition Footage’ when, weeks ago, Steven had signed up for ‘A Derren Brown Show.’ At that time Steven was told he didn’t make the cut and could go home. Watch the audition! This (‘lazy, aimless’) guy somehow gets up from the couch and takes the time and trouble to audition for a TV show, right?  In any case, this is a job interview and here are the things he says about himself, presumably hoping to get the job:

‘I’m lazy and irresponsible so I let other people be responsible for me.’

‘I lack self-belief.’

‘There is always someone better than me.’ (Presumably everyone else who auditions!)

‘I’ll always fail.’ (Yeah, let’s hire this guy!)

Does this make any sense at all? Who would say this to a stranger, let alone to get a job?  And they are counting on him to be heroic?

But none of the human behavior in this show is impossible, so we’ll let most of it slide. What is impossible is the camera work, as I hope you’re seeing from the images. Another example: in a scene right out of 9/11, Steven and Leona (the ‘Dorothy’ character) look at a fence with ‘missing people’ photos pinned to it, like they did on 9/11. 

By the way, if you’re old enough, when you saw the footage of the photos on a wall of hundreds and hundreds of ‘missing’ people after 9/11 did it occur to you how nonsensical that was? That many hundreds of people would pin on a wall a photo of someone who worked at the towers and didn’t come back that day?  Hey, if they didn’t come home (or call) they are either dead or in the hospital! Or are you thinking they might be wandering around like a lost puppy and someone might notice them? (Did you know the photos on the 9/11 wall were in alphabetical order? Think about that, how it could come about.)

There’s a shot of Steven from high up, looking down at him through some barbed wire, a hand-held shot, panning and zooming (3a). Then they cut to a long shot (3b) and we see that there is nowhere for a camera to be, let alone a cameraman too. 

This sort of thing happens too many times to list, especially when they are inside, and somehow the ‘hidden’ camera is able to pan and zoom at will to get any angle required.

There are also continuity errors, which I usually pick up on immediately (I’m still wondering  about my first viewing, why I didn’t see these fuck ups). One is when Steven and Leona are in the ambulance and we see two water bottles at Steven’s feet. Then they cut to Ian then back to Steven and Leona and the water bottles aren’t there. (It’s a continuous scene with Ian in voice over so we know there can’t be legit ‘missing time.’) This sort of thing only happens when you re-shoot a scene and the ‘continuity person’ (used to be ‘the script girl’) fucks up. Obviously, there can be no re-takes in ‘real life’, so this alone is a dead bust.   

Shaky, hand held camera meant to give a ‘real’ documentary feel does exactly the opposite, i.e., it’s a giveaway that the cameras are not hidden. 

Derren tells us that he communicates with the actors via ‘hidden earplugs.’ The girl, Leona, has hair over her ears so we can’t see if she has a plug but Ian, bald as an egg, gives us several good looks at his ears: No plugs. (Same with Danny.) Why? No need for them; they are shooting this like any film.

 A huge red flag is at the end when a helicopter comes to rescue them (Steven, Leona, and Danny), minus Ian, who has joined his zombie wife (and is presumably roaming the countryside), but lands outside the compound, where the ‘zombies’ are still wandering around. This makes no sense at all  but Steven braves the run to the chopper without Leona, whom he has promised to protect but has left behind for now. Thing is, Steven yells at Danny (in the chopper) for leaving Leona when the real problem is the chopper pilot, for landing outside the fence, and whom we never see. 

Anyone with even half a brain would yell at the pilot that there’s a 14 year old girl he is leaving to the zombies when he could easily land on the other side of the fence and pick her up. This is covered (as plot holes often are) with distractions like yelling and fast camera cuts. The important point here — which Derren sledgehammers us with — is that Steven braves the zombie horde to return to Leona, rather than escaping to safety in the chopper. Again, that Steven lets the pilot off the hook makes no sense.

So the chopper leaves Steven and Leona in the compound and flies off, so we can finish up with Steven and Leona holding hands, Steven having kept his promise to protect her, sacrificing his own safety. This is one of the (huge) ‘show killing’ moments: Had Steven said to the pilot: ‘Get me the fuck out of here!’ poof! there is no show; the millions spent on production goes out the window. (‘Endings are everything’ and here we’d have no ending. The absurdity of the chopper leaving them there is the final nail in the show’s reality coffin.)

But somehow, it gets.. somehow worse. With the chopper gone, as Steven and Leona walk down the road (the zombies have conveniently gone away!), a phone on the side of the road rings. Steven answers it. It’s Derren, who, with a word, puts Steven to sleep. He collapses into the dirt. 

Derren materializes… I mean appears and guides the sleeping Steven the many miles (we assume) back home and… wait for it… puts him to bed, telling the poor sap to wake up when his phone alarm goes off.

Next morning (I think), Steven’s phone rings, waking him up. He looks around, juuuust a bit confused. It was all a dream! (Although I’m thinking ‘What the fuck?’, this is what we are supposed to assume.) 

Yes, this is how The Wizard of Oz ends too, with Dorothy waking up, realizing it was all a dream and…. wait for it… appreciating her family and life more than ever.

Which is what happens when Steven goes down to breakfast, in voice over telling us that he thought it was ‘an intense dream.’

Addendum:  When Steven wakes up in the military hospital the TV informs him that two weeks have gone by since he was last ‘conscious.’ And guess what: That day was his birthday! Soooo, if all this had happened to me, the first thing I’d do would be to check and see what day it is (which would prove or disprove the dream theory), which Steven could do via the phone that woke him up. You know, with the time and date in big letters on the screen, that sort of thing. 

Steven, still doing a good job of looking confused, wanders down stairs to the kitchen, where Mum, Dad, and his brother (all in on the op) are at the breakfast table.

You can bet that Derren and his production staff sweated over how to handle what happens next! What happens next is everyone starts crying and hugging.

But if it was all just an intense dream why is everyone crying and hugging? This whopper of a plot hole is never explained, but is disguised as best they could with outpourings of emotion and distracting editing from a shaky and worried post production team. (I suspect there is a lot of subliminal messaging on the screen during this bullshit, like in John Carpenter’s They Live. You know, ‘This is all true!’ or ‘Believe!’, ‘Obey’, and so forth.)

‘Go in the living room,’ Mum says through her tears and Steven, now the obedient and loving son, just goes, no questions asked. Given the situation, would you just leave the room before asking Mum and Dad to maybe explain what’s going on (or a suggestion that you be taken to the nearest looney bin)?

Addendum: The problem with any Steven-questions is that they would call attention to the absurdity of… everything. It would be like Dorothy waking up back in Kansas and doubting she was dreaming.  I suspect that — aside from a ‘wink’ to fellow mind-controlling PTB scumbags — Derren’s two references to The Wizard of Oz was to subliminally suggest that we keep our conspiracy theory questions to ourselves. You wouldn’t doubt that Dorothy was for real, would you?

In the living room Steven finds Derren waiting. It’s here, in one of the most uncomfortable scenes I’ve ever come across on Youtube (!), Derren and Steven hug and Steven ‘realizes’ it wasn’t a dream. And again, no real questions, as if the mere appearance of Derren Brown explains details like the end of the world. (Still again, the wrong reaction from Steven– like if he punched Derren’s lights out — would kill the show.)

I’m not sure what else you need to know and/or be shown to prove that Derren Brown’s ‘Apocalypse’ is a total fraud… or should I dive right into the implications of the fucking thing? What it really means.

Addendum: The show was a gigantic hit in UK, the most successful couple hours of TV ever, up until that time. Although anyone with the least bit of critical thinking should quickly come to the conclusion that this extravaganza is a hoax, no one has come forward with an essay or the like as I have here. The farthest anyone has gone was a couple UK papers saying that Steven Brosnan was maybe an actor since his cv was with a casting website before the show aired. Mmmm. Yeah, that might raise an eyebrow or two, you know, from… conspiracy theorists and tin foil hat wearers.

As mentioned, I have gone through a few hundred of the 1,000 plus comments on the Youtube version and so far have not found even one that exposes what I have here, or even has any doubts.

Addendum: This reminds me of my essay/analysis of the 2006 William Friedkin/Tracy Letts film, Bug, with Ashley Judd and Michael Shannon. In that one I went through 600 reviews, including media critics and Amazon viewers and likewise did not find even one person that saw the story for what it was. You may remember that Friedkin and Letts, in their writings and interviews, likewise ‘missed’ what the story meant; they even seemed unaware of what happens on the screen. (The two are PTB stooges, talented as they are.) If you haven’t yet, I suggest you give the Bug essay a look. It fits well with this. Unfortunately.

So we can assume that the world-wide Operation Mockingbird media is part of the ‘Apocalypse’ psy op (by keeping their mouths shut). But is it a psy op or just a way for Derren Brown and a media conglomerate to make a buck?

#

After a night’s sleep, and having viewed or re-viewed additional Derren Brown extravaganzas, some other thoughts occurred to me. I mean as I woke up:

I tried to imagine waking up in a ratty, abandoned hospital and finding out two weeks had gone by since I was in a bus with a meteors exploding all over the place.  Here are a couple things I might try to suss out, immediately, with anyone I meet:

Since I appear healthy and the same weight, I’d wonder where I got my nourishment. No tube in my arm? Nope. Well, that’s weird…

Addendum: I just now realized why they permitted an unnecessary continuity error with the water bottles in the ambulance. They didn’t want the viewer to be reminded of any intake at all. Water/food, for now that subject is a no-no, since it implies ‘nonsense.’ (Wouldn’t Steven, in a post apocalypse, cherish a bottle of water and keep it for later, if not gulp it down immediately? (‘Why am I not thirsty?’ he might ask himself. I mean if this were real.)

Also, I might be a tad curious regarding planet earth itself. Was it the UK that was devastated or the whole planet? Wouldn’t this be really high on your list of questions? Or have you no curiosity about the fate of the human species?

Since ‘family’ is a major through-line, I might ask if anyone knows how my old neighborhood did during the bombardment and subsequent plague spreading.

And hey, what’s the deal with this plague? What are the symptoms that you’re coming down with it? There are literally… 50 questions I’d want to know the answer to immediately. But ol’ Steven… I guess he’s the Gary Cooper, strong silent type.   

You might rejoin that this stuff was gone over off camera, maybe during one of the many commercial breaks. (Or between Parts One and Two.) My answer is then why not show some of it, if only to demonstrate a tiny bit of mental acuity on Steven’s part? That they didn’t write some of this into the script could be chalked up to poor storytelling but a better reason is they didn’t want to go down any narrative roads that might get the viewer asking questions. Best not go there, they were thinking.

The other time Steven wakes up after being put under Derren’s magic spell is that doozy of an ending, when he wakes up in his old, rumpled bed at home (I guess the house did survive would be my first thought.). I put myself in his place and immediately wanted to know…. what?

What day is it? 

It appears that — if this were real and not a fraud — he’s had one night’s sleep since… his birthday! This is not counting the ‘lost’ two weeks when he woke up in the hospital (or ‘in hospital’ as the Brits and ‘Texan’ Miles Mathis would say). If I believed this was all ‘an intense dream’ I’d bloody well check that theory by finding out what day it really is. Yet, again (it’s worth a repeat), he doesn’t check his phone or even ask his family when he goes downstairs to breakfast.

Ahhh, sorry. This is all unnecessary, isn’t it? You don’t need more evidence, do you? Sorry, I do get carried away.

#

Okay, so what’s the takeaway? How is Derren and Co. (probably via Tavistock) fucking with our minds here? Ahhhh, let me count the ways… Remember I showed you this image of Derren wagging his tongue at us? I promised the quote, i.e., what he was saying at that moment. Here it is: ‘I have to start controlling (Steven’s) access to news and information.’

Although there is plenty more, if I had to pick one ‘message’ from ‘Derren Brown’s Apocalypse’ it would be this PTB stooge wagging his tongue as he tells us that he controls the news and information we get.

Doncha think?  

As with Bug, we have to dig a little deeper to find collateral motives.  

I could write a whole essay just on how ‘Derren Brown; Apocalypse’ relates to the COVID fraud, but hey, don’t worry, I won’t. Just a few quick observations.

The timing, of course: Goes without saying that the Youtube re-release was no coincidence. It’s right out of the COVID playbook, although they didn’t have time to start in with vaccines. 

The word ‘zombie’ is never spoken or referenced in the show. It was always ‘the infected.’ Nevertheless, as in all zombie movies, the ‘infected’ are treated as non-human, as dangerous piles of robotic meat. Fuck ’em. Get rid of ’em. Kill ’em! (Someone pointed out that Steven might have brained a faux-zombie with a shovel or whatever.) As is the case with the ‘Climate Change’ psy op, Derren Brown is telling us that human beings are the problem, the threat to Mama Earth. To the elite, we are all mindless zombies. (That there is some truth to this bothers the hell out of me.)

It is also hard to miss the surveillance theme, which of course recurs in many of Derren Brown’s shows. Get used to living in a sort of a Candid Camera From Hell (if you’re old enough to remember Candid Camera). In fact, enjoy it! All the surveillance is not only harmless but it might be Derren Brown helping you to love your Mum like you should! 

Surveillance is good for you!

Derren Brown claims to be an atheist but don’t you believe it. He worships a higher power like they all do (the PTB), as you should pick up from his body of work, including this one. 

Take a look at the single frames I came across from Derren’s narration (you can’t see them consciously). I didn’t have the time or stomach to go through the whole show frame by frame but I guarantee there is subliminal stuff in there that is… not healthy, shall we say.

And I’ll tell you: Say what you want about my mental health but I am 100% sure Derren planted all sorts of crap on the screen to ‘persuade’ us to accept the show as genuine. 

There is no way I could otherwise have missed all this when I first viewed it two years ago. Yeah, I’m getting old and all that but I know myself well enough. This fucker is really fucking with us and the PTB are right behind him all the way. 

I’m going to repeat the image from when they came upon Danny. When I watch a TV or films — especially H-wood biggies, and most especially when they have a certain theme (The Matrix, Confessions of Dangerous Mind, The Adjustment Bureau, American Ultra, movies that are… spooky (in any sense) and that might potentially be made to fuck with your mind or lay in serious misdirection) I am on the casual lookout for a floor with black and white checkers, a major Freemason/occult symbol.

Addendum: Scroll up and notice the bathroom with the black and white checkers on the floor. That’s Derren’s real bathroom at home. I know: It doesn’t really prove anything. I just couldn’t resist.

I viewed a slew of Derren’s Youtube videos over the past few days and — as with Apocalypse– realized I’d seen them before, and now, on second viewing, understood what a blatant liar (at the very least) he is.

I say this because Brown always insists on two truths, no matter the show:

1. He doesn’t believe in psychic or paranormal powers of any kind. (Given the evidence from scientists like Dean Radin and Rupert Sheldrake [and to an extent even me], plus the spooks’ long-running remote viewing program, this is enough to know we are being lied to by this guy.)

2.  He never uses stooges or actors (unless he tells us).

A sub-truth involves his atheism (other than the big guy with the horns), but I am a student of ‘the magician’s art’ and I can guarantee that, based on his act, Derren Brown is either extremely psychic or he uses stooges/actors in virtually every show. It’s one or the other and you can probably guess where I come down on it. 

Addendum: This is getting too long to go into proofs on this but in one show Derren will prove a ‘psychic’ is fake then grab someone ‘off the street’ and tell them their dog’s name and age and so forth just by looking into their eyes. Pu-lease. 

The real point here, though, is the obvious fact that everyone working on the  Apocalypse show had to be in on the fraud; this is the nature of a film production. 

This is sad, distressing even, but it does tell us a lot about how the whole Derren Brown phenom works: Derren has a small army of actor/stooges that, in some cases, fill up the auditorium venue he’s using. If you don’t believe me on this, then, by definition, you don’t accept what I’ve said in this essay. 

Again: The truth behind ‘Derren Brown’s Apocalypse’ is that at least 100 people were in on it and (as far as we know) not one has come forward to tell the truth. 

How could that be? Here’s how: Keep your trap shut and you get rich. Blow the whistle and you and your family are dead. Whaddya gonna do next?

If you refuse to accept this essay as true, but before you email me or comment, read Dave McGowan’s (RIP) analysis of the Boston Marathon bombing. Just that one essay. Read it. . McGowan’s analysis of the bombing will show you that at least 100 actors/stooges knowingly participated in that event, much like ‘Apocalypse.’

Most ‘big events’ of this type are managed in the same way, with the media a big part of the game, and not just the mainstream media. Sam Harris, for example, did a long interview with Brown and did not challenge him on anything, let alone on the matters I have done. I guess I am much, much smarter than Sam Harris. That or he is a part of it. And so forth.

This is the world we live in, folks. 

Allan

If a few or you are willing to go through, say, 10 minutes of ‘Apocalypse’ frame by frame, carefully examining each image (this is subtle, subliminal, very clever stuff), let’s get together and divide up the show. I’ll do the first 10 minutes. Pitch in via the comments section.

And trust me: You will miss most of it. Watch this first. 

 

 

 

 

 

Here is a few of the comments under Derren’s video (they are all like this):